0:03

And now, a quick scene

0:05

from life on the Hephaestus, day

0:07

449. Oh

0:14

my god, Dr. Hilbert! Thank god

0:16

I found you! Officer Eiffel, why

0:18

are you bursting into my laboratory?

0:21

There is problem? Yes, there is

0:23

huge problem! Minkowski was trying

0:25

to reset the air regulator in the docking bay

0:27

and the equipment malfunction! Now

0:30

she's trapped in there and the room's losing

0:32

O2? I have no idea what to do! You

0:34

have to come help me! No,

0:36

no, no, no, no. Wait one moment.

0:38

Hmmm. Uh, Doc? Eiffel,

0:44

this is not

0:46

really working for

0:48

me. Can

0:52

I make some suggestions? Uh,

0:54

sure? When

0:56

you say there is huge

0:59

problem, put more emphasis

1:02

on word huge. Yes?

1:05

Like, there is

1:08

huge problem? Yes,

1:10

good, good. And explanation

1:12

of problem, can you do with

1:14

more energy? Faster.

1:17

Uh, yeah, I think I can

1:19

give that a try. Excellent,

1:22

excellent. And last sentence

1:24

is not really coming

1:26

together. Hmmm. How

1:30

would you feel if instead you say, I know

1:32

exactly how to fix this and I will go

1:34

take care of it right now? Go

1:37

take care of it right

1:39

now. Hmmm. Yes,

1:42

like that, like that. Here, you

1:44

leave and come back in. We try from

1:46

top. Oh,

1:48

alright. Oh

1:56

my god, Dr. Hilbert, thank god I found

1:58

you. Officer

2:01

Eiffel, there is problem? Yes,

2:03

there is HUGE problem! Minkowski was trying to

2:05

reset the air regulator in the docking bay,

2:08

and the equipment malfunctioned! Now she's trapped in

2:10

there and the room's losing O2! I

2:12

know exactly how to fix this and I will go take

2:15

care of it right now! Very good.

2:17

I'm glad they had this

2:19

conversation. Me too, but now

2:21

I gotta go do the

2:23

thing and save the commander!

2:25

P-p-p-p-p... F-f-f-f-f-f... Mmm...

2:28

Excellent. It's good

2:30

that I took online workshop on directing

2:33

stories for sound with Gabriel Urbina. Taught

2:35

me everything I know on how to define

2:38

what a scene should and should not be.

2:41

F-f-f-f-f... F-f-f-f-f...

2:45

Ah, and would you look at that! Urbina

2:47

is teaching directing stories for sound

2:49

this September! And with

2:51

classic writing stories for sound workshop

2:53

as well! What a

2:56

great opportunity for anyone that wants to

2:58

learn how to master the power of

3:00

audio and fiction podcasting! Actually,

3:04

Doc, can we try that one more

3:06

time? No, I felt scene was good.

3:08

Leave it alone. Oh Doc, but- Leave

3:11

it! Writing

3:17

stories for sound and the brand new

3:19

directing stories for sound. A

3:22

set of workshops by Gabriel Urbina. Seats

3:25

are open now for sessions on September

3:27

5th, 8th, 10th and 12th. Visit

3:29

wolf359.fm slash learn for more

3:31

info and to sign up.

3:43

Subs by www.zeoranger.co.uk