Cinema Shock
Cinema Shock
Episodes
Episodes of Cinema Shock
Mark All
NOTE: This is the full BLUE VELVET episode. If you listened to the first half that we posted two weeks ago, you can fast forward to the 1 hour 33 minute mark."I'm seeing something that was always hidden. I'm in the middle of a mystery an
"I'm seeing something that was always hidden. I'm in the middle of a mystery and it's all secret."DUNE, David Lynch's first (and only) foray into big budget studio filmmaking was an unmitigated disaster, both critically and commercially, and i
Bonus
Interview with Max Evry, author of 'A Masterpiece in Disarray: David Lynch's Dune - An Oral History'
For this special BONUS episode, we sat down for a chat with Max Evry, author of A Masterpiece in Disarray: David Lynch's Dune - An Oral History, one of the most comprehensive behind-the-scenes books that we've come across, and one that was a ma
After the critical and commercial success of THE ELEPHANT MAN, David Lynch was suddenly a hot commodity in Hollywood, although it soon became clear that, although many studios were seeking out the idiosyncratic director, what they wanted was an
ERASERHEAD’s success on the Midnight Movie circuit didn’t suddently thrust David Lynch onto Hollywood’s A-list but it did turn some heads. Some of those who were impressed by his debut feature included producer Stuart Cornfeld (THE FLY) and leg
After spending his youth pursuing "the art life," David Lynch dipped his toe into the medium of film with his shorts THE ALPHABET and THE GRANDMOTHER. With THE GRANDMOTHER, he received attention from the American Film Institute, who invited
In our new series, David Lynch: Absurd Encounters, we'll be taking a deep dive into the first chapter of David Lynch's career, covering everything from his early short films through his success on the midnight circuit, his disastrous attempt to
Join us for a live screening of Frank Henenlotter’s cult classic BASKET CASE with an introduction by the Cinema Shock team!DATE: Tuesday, July 16, 2024The feature debut of director Frank Henenlotter (BRAIN DAMAGE, FRANKENHOOKER), 1982’s BASKE
When we started our Alejandro Jodorowsky series last year, we began a loose exploration of the history of the Midnight Movies phenomenon of the 1970s (as documented in J. Hoberman and Jonathan Rosenbaum's iconic book on the subject).Before we
In this standalone episode, we're discussing Richard Kelly's modern cult classic DONNIE DARKO!DONNIE DARKO's journey to the screen was one fraught with difficulties from the very beginning: Few studios were willing to take a chance on a young,
For the final episode in our series David Fincher: Rules of the Game, we're taking a look at the story behind his 2007 true crime drama ZODIAC.For his follow-up to the crowd-pleasing popcorn thriller PANIC ROOM, David Fincher went in a far dif
FIGHT CLUB had been a grueling shoot for David Fincher and, at least upon first release, had alienated both audiences and critics alike.So when it was time for Fincher to move on to his next film, he sought out something a little simpler, some
After back-to-back successes with SE7EN and THE GAME, David Fincher found himself at the top of Hollywood's A-list, proving that he could produce hit films without abandoning his dark sensibilites. His next project, however, would put his repu
After the success of SE7EN, David Fincher returned to a film that he'd started developing before deciding to prioritize the serial killer film that would put him on the map.That film was THE GAME, a twist-filled thriller that's often overlooke
After his disastrous experience on ALIEN 3, David Fincher retreated back into the world of music video and commercials, vowing to never again direct a feature film.That is, until a script by a young, first-time screenwriter named Andrew Kevin
After spending years in Development Hell, the production of ALIEN 3 finally moved forward once first-time feature director David Fincher came on board.But it wasn't smooth sailing from there. The story of ALIEN 3's production is one of a legen
"People will say, 'There are a million ways to shoot a scene', but I don't think so. I think there're two, maybe. And the other one is wrong." — David FincherDavid Fincher has a reputation for being an exacting, meticulous director, one who se
For our next series here on Cinema Shock, we're going to be taking a look at the films of David Fincher, including his feature film debut ALIEN3. Since ALIEN3's history — which includes years spent in development hell, multiple directors and
For our next series here on Cinema Shock, we're going to be taking a look at the films of David Fincher, including his feature film debut ALIEN3. Since ALIEN3's history — which includes years spent in development hell, multiple directors and
In this special bonus episode, Justin, Gary and Todd take a look at every sequel to ONCE UPON A TIME IN CHINA!Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.This episode
For the final entry in our Cinema Shock Roulette Extravaganza (but certainly not our last Cinema Shock Roulette episode), we're headed to Hong Kong to take a deep dive into the production of Tsui Hark's seminal martial arts film, ONCE UPON A TI
In this Cinema Shock Rewind episode, we're re-publishing our episode covering THE 36TH CHAMBER OF SHAOLIN!As was the case with GAME OF DEATH, our previous Rewind episode, the history of THE 36TH CHAMBER OF SHAOLIN has some significant ties wit
In this Cinema Shock Rewind episode, we're republishing our episode covering Bruce Lee's GAME OF DEATH. The story of Bruce Lee ties in directly to our upcoming episode covering the production of ONCE UPON A TIME IN CHINA, so we're providing a r
In this Extras episode, Justin and Gary break down some reviews of POSSESSION from various corners of the internet!Be sure to give us YOUR thoughts on POSSESSION by hitting us up on social media @cinema_shock!
In this bonus episode, Justin and Gary sit down to discuss their picks for films that would make a great companion piece to Andrzej Żuławski's POSSESSION!Have a great idea for a film that'd work great as a double feature with POSSESSION? Let u
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